The Aliens Director’s Cut Makes One Great Change And One Terrible Change
Film

The Aliens Director’s Cut Makes One Great Change And One Terrible Change


I’ve probably seen Aliens a couple of dozen times in my life, but until recently, I hadn’t watched one of the best sci-fi movies ever in one sitting in at least a couple of decades, and I’d never seen the director’s cut. Until just last week, it was available with an HBO Max subscription. James Cameron released it in 1991 on Laser Disc only (I never had one of those). I’ll just say upfront, I wish I hadn’t waited so long. While I love the theatrical cut, this version is definitely better in almost every way. There was one backstory I loved being included in, but there was another I was less enthusiastic about.

Sigourney Weaver and Paul Reiser looking at a piece of paper in Aliens.

(Image credit: 20th Century Fox)

Ripley Backstory Makes The Movie So Much Better

There is about 20 minutes more movie in the Aliens Director’s Cut, and most of that time is spent on two scenes. The first is Ripley’s recovery after being found floating in space after 57 years at the beginning. In a conversation with Burke (Paul Reiser), it’s revealed that Ripley (Sigourney Weaver) had a daughter when she left Earth in the first movie of the franchise, Alien. She (and we) also learned that her daughter had died two years before at age 66.



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