Yellow Veil Pictures Acquires Sundance Movie ‘Knocking’; Adds Worldwide Sales Rights to Folk Horror ‘Hellbender’
“Worldwide sales arthouse genre outfit Yellow Veil Pictures announces the launch of a new North American distribution arm. The company will continue to focus on boundary-pushing genre cinema and will inaugurate the new venture with Frida Kempff’s Sundance hit Knocking with a planned theatrical and digital release this fall,” we’ve learned via press release.
“Knocking marks the feature debut for Kempff who, in 2010, saw her short Bathing Mickey take home the Prix du Jury at Cannes. The film stars Cecilia Milocco (Involuntary) as Molly, who after suffering a traumatic incident moves into a new apartment to begin her path to recovery. It’s not long after her arrival that a series of persistent knocks and screams begin to wake her up at night. Molly’s new life begins to unravel as the screams intensify and no one else in the building believes or is willing to help her.”
Knocking is written by Emma Broström and produced by Erik Andersson for Läsk in collaboration with SVT and the Swedish Film Institute through the initiative Moving Sweden with support from Norrköpings Filmfond. Federico Ambrosini served as executive producer on the film adapted from a novel written by Johan Theorin.
Additionally, “Yellow Veil Pictures have added worldwide sales rights to Hellbender from directors Toby Poser, Zelda Adams, and John Adams (The Deeper You Dig), which is set to world premiere at the upcoming Fantasia International Film Festival.”
The film follows 16-year-old Izzy (Zelda Adams), who leads an isolated life on a lonely mountaintop due to a rare sickness. Questioning her illness and starving for companionship, Izzy sneaks down the mountain where she befriends the brazen older girl Amber (Lulu Adams). Just as Izzy finally begins to feel happiness, a drinking game involving a live worm unleashes a new kind of insatiable hunger within her. Confused and scared, Izzy appeals to her mother for answers but the family’s secrets are as old and dark as the bloodline from which they’re born.